But with its array of charismatic supporting cast with the likes of Simon Yam as Ip Man's best friend and industrialist Quan, and Lam Ka Tung as a cop turned translator, there are little nicely put sub plots which seek to expand the air of respect that Ip Man commands amongst his community. More often than note, martial arts become a unifying force, and this aspect of the narrative might seem to be a walk in the usual territory. Witth this historical setting, at times it does seem that there is an air of familiarity with the type of stories told, with how the Japanese Imperial Army had made life really miserable for the Chinese, and how the Chinese being fragmented in spirit, fail to unite during dire straits.
The bulk of the story gets set in the outbreak of the Sino-Japanese war, and it's not all fight and no story. His humility is his virtue, and his style is never violent or aggressive, which often gets assumed and mistaken for being effeminate, since Wing Chun after all was founded by a woman. Ip Man, an aristocrat who spends most of his quality time developing and perfecting his brand of martial arts, will take them on behind closed doors, so as not to damage his opponents' reputation nor embarrass them in public. With each new school, the master will pay their respects to Ip Man and to challenge him to a duel. In this bio-pic, Ip Man, one of the earliest Wing Chun martial arts exponents credited to have propagated its popularity, gets portrayed as the best of the best in 1930s Fo Shan, China, where the bustling city has its own Martial Arts Street where countless of martial arts schools have set up shop to fuel the craze of kung fu training. And thank goodness for Donnie Yen still being around to pick up from where the genre left off, and presenting a memorable role which he truly owned, with Ip Man being the first cinematic rendition of the Wing Chun martial arts grandmaster. While Li lays claim to three of such roles in the iconic Wong Fei Hung (in the Tsui Hark movies), Fong Sai Yuk and Huo Yuan Jia in Fearless, after which he felt he had to hang up his martial arts roles because he thought that he had communicated all that he wanted about martial arts through these films. When Ip goes to collect his son.It's been some time since we last saw a biopic on one of the Chinese's martial arts folk heroes, with Jet Li's Fearless being the last memorable one to hit the big screen. Frank orders Ma to acquire the land occupied by the school where Ip Ching and Cheung Fong study. Tin-chi participates in underground fights organized by Ma King-sang, a local triad leader who works for Frank, an American property developer and highly proficient boxer. Although Tin-chi interacts cordially with Ip, he secretly envies and seeks to surpass him. When asked who his mentor is, Fong says that it is his father, Cheung Tin-chi, who shows up to collect his son shortly after. At Ip's house, Fong displays rudimentary yet impressive Wing Chun skills.
As an apology, the Ip family invite Fong to their home for dinner. After Lee demonstrates his speed, Ip neither accepts nor rejects him, but insinuates for him to leave by opening the door.Īfter Ip Ching gets into a fight with his schoolmate Cheung Fong, their teacher, Miss Wong, asks the parents to come to the school, though only the Ips arrive. Bruce Lee visits Ip and asks to become one of his students. His elder son, Ip Chun, has returned to Foshan to study, leaving Ip with his younger son, Ip Ching, and his wife, Cheung Wing-sing, in Hong Kong. In 1959, Ip Man settles into his low-profile life in Hong Kong. (November 2020) (Learn how and when to remove this template message) Please help improve it by removing unnecessary details and making it more concise.
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